Into the Abyss. Lost and Uncharted.

Describe your perfect date.

weirds-all-i-got:

Money, Money, Money

nefertiti:

Ivanovo detstvo/Ivan’s Childhood (1962, Andrei Tarkovsky)

The complexly choreographed sequence involving Masha’s encounter with Kholin in the birch forest is one of the most iconic shots in cinema, symbolizing the need for help in hard times, a moment of connection above the void, a desperate act of human contact. The camera tracks their movements at a distance before joining them, finally, in a strange, low-angle embrace over a small trench. The shot begins from a low point of view, and then, when Masha tries to jump over the ditch and is intercepted by Kholin, who holds her in the air and kisses her, the camera goes down below ground level and records the scene from within the ditch, to soon thereafter rise sharply up and continue rolling at eye level with the characters.  (1, 2)

emderavins:

Fangirl Challenge ten movies {1/10}

↳ Ever After: a Cinderella Story

“A bird may love a fish, Signore, but where would they live?”


Ballet Mécanique, 1924

Ballet Mécanique, 1924

Melancholia, 2011. Opening Sequence

Arthur said they’d wait for night to do the job, out of respect for second-rate thrillers. How do we kill all that time? asked Odile. Franz had read about an American who’d done the Louvre in nine minutes 45 seconds. They’d do better.